Schutzhülle(fragment), textile dye on cotton, 2025-ongoing, courtesy of the artist and Ivan Gallery, Bucharest, photo credit: Philippe Gerlach
Schutzhülle is a series of texts that began during a residency in Linz, which put in
perspective an array of fleeting thoughts and observations on occult knowledge
systems, speaking about shapes, the origin of things, impermanence, and terror.
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Schutzhülle(fragment), tempera on paper, 2025, courtesy of the artist
Song of Songs, enamel paint on metal, 2024, courtesy of the artist and Ivan Gallery, Bucharest
A
bastardized revision of the Songs of Songs, text from the Old Testament,
where the motif of the garden is viewed as an attribute of purity and virginity
appears, later being associated with the Virgin Mary. While very little is
known of her, this stands as a lament of Mary, suggesting her condition as a
mother, of an instrumentalized woman, rejected finally also by her son, now
reflecting on what could come after.
Notes on Travel (fragment), collage, 2025-ongoing, courtesy of the artist and Ivan Gallery, Bucharest